Fun Erin Fact: I am the most moisturized human being you’ll ever meet. Seriously. I have a day and night face and body lotion routine that takes half an hour and leaves me feeling like I could bob sled on an ice luge using nothing but my body (or, more accurately, like this Boy Meets World scene with Cory’s silk sheets). So it’s no surprise that I’ve now added an eye cream, from Clinique, to my regimen. Say what you will about the futility of using an anti-wrinkle cream when I don’t (yet!) have wrinkles, but to the naysayers, I refer you to this brilliantly apt scene from the short-lived BBC series “Coupling,”:
Sally: Death is the best argument for moisturizers.
Patrick: You can’t prevent death with face cream.
Sally: Yeah? That’s what everyone thinks, but no-one’s ever used it in the quantities I do.
I can also be found applying hand lotion roughly eighty times a day, an estimate that more-than-doubles in the winter, when even the slightest exposure to the elements leaves my hands cracked and raw. I stopped into L’Occitane over the weekend, and fell madly in love with their peony scented line. It is non-greasy and the smell is heavenly, not overpoweringly cloying or floral.
In other news, I’ve decided to give “The Goldfinch” a second chance. I know, I know. I was pretty firm in my original assessment last January (and in my end of year book review) that the book was overrated, but I read Tartt’s earlier work, “The Secret History” on our honeymoon a few months ago, and I’ve been ruminating on it since. All of the characters in that book range from “Not Entirely Likable” to “Downright Reprehensible,” but I think you’re not supposed to like any of them, and that’s part of what made it so good. I wish I’d read “The Secret History” first, as an intro to Tartt’s writing style, as it would have colored my initial read of “The Goldfinch” differently. As it is, I’ve been thinking more and more about the plot and characters of “The Goldfinch” in the last few weeks, and I figured I have nothing to lose with a revisit (except, of course, hours and hours of my time. Again). I’m coming at it with a new appreciation of her writing voice, though before I even started it I’ve realized she reuses several of the same character archetypes from “The Secret History.” I’ll delve into that more in a separate post, when/if I finish this for the second time.