Friday Five

1. Charlie Hebdo, Before the Massacre:

In French class this week we discussed the Charlie Hebdo attacks, and our teacher, Rachel, had a copy of the latest issue of the satirical magazine for us to read. It’s hard enough to find the words in English to describe the atrocity of the shootings and the anguish that followed, let alone in French. But we tried, even if as much I could say was, “C’est insupportable, que la liberté d’expression a été attaqué.” Rachel showed us this New York Times Op-Doc of the Charlie Hebdo headquarters during a production meeting in 2006. To say it was difficult to see the cartoonists and editors drawing, discussing, and choosing a cover illustration featuring the prophet Muhammed, unaware of the fate that would befall them and their beloved magazine both five years later, when their offices were firebombed, as well as two weeks ago, would be to cheapen the very acute sense of loss. “We laugh at everything. This is what we do. No subject is off-limits…We are lucky. France is a paradise,” Georges Wolinski says in the video.

2. An Infographic showing the age famous authors published their first book:

Infographic

According to this wildly fascinating infographic, I’m either a few years late at publishing my first novel (Kerouac was 21!) or I have plenty of time ahead of me (Jane Austen published “Sense and Sensibility” at 37!). Also interesting, F. Scott Fitzgerald only published four books in his lifetime (and one posthumously) while Nora Roberts has published over 200, giving stock to the age-old “Quality over quantity” adage.

3. “A Museum in England Is Hiding a Forgery Among Its Masterpieces”

Dulwich Picture Gallery

photo courtesy of Matt Lake

In a move that is sure to spark a conversation about how we value and valuate art, the Dulwich Picture Gallery in London is placing a £120 forgery amongst its collection of Rubens, Rembrandt, and Poussin, and leaving it up to visitors to solve the mystery. Part of an exhibition titled, “Made in China: A Doug Fishbone Project,” set to open in February, Fishbone commissioned a replica from a Chinese company that exists solely to churn out copies of great works. He says hanging the replica in the world’s first purpose-built public art gallery “gives our [replica] some provenance, and it’s interesting to see if that changes its value.” While the artist is quick to say this is not a cheap “spot the fake” stunt, the museum might sell “I Failed to Spot the Replica” t-shirts. Because as my father always said, every good cultural experience must end in a retail experience.
Thanks to Samantha for the link!

4. “Qu’est-ce qu’on a fait au bon Dieu?” (“What did we do to God?”)

Also from French class, the preview for this movie had us in (much-needed) hysterics. A stuffy, not-so-mildly racist French couple with four daughters and four “undesirable” sons-in-law. Deemed too politically incorrect for the US by some film critics, the movie doesn’t make fun of the interracial marriages, but rather makes fun of the conservative, “old French” parents, and uses humor to have a more serious discourse on an “I’m not racist, but…” culture in France. At least, that’s what I think Rachel was saying.

5. Charles Marville, the Photographer of Paris:

Rue de Constantine

photo courtesy of the Metropolitan Museum of Art

For Christmas, Jamal bought me the Metropolitan Museum of Art catalog from last year’s exhibition of Charles Marville’s photography of Paris. I didn’t get to see the show when it was at the Met or the National Gallery in DC, so I’ve been eagerly awaiting getting my hands on a copy of the exhibition catalog. It was backordered until after the new year, and it just arrived this week. I have been pouring over it nightly since. The book is a behemoth, at over 250 pages and almost 5lbs, with hundreds of Marville’s photographs of Paris in the mid-1800s reprinted with striking clarity. I can’t tell you how incredible it is to see the wide avenues, some still under construction, completely empty, void of people and carriages. It is an absolute gem.

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January 23, 2015 / Friday Five / read / watch / LEAVE A COMMENT / 6

6 comments

  • Cal had an extra credit question on his history test this week about Charlie Hebdo… and it was the most basic question, like: What was it? He couldn’t believe how many people in his grade didn’t know or hadn’t heard. Crazy. And in other news, Vera Wang was 40 when she designed her first wedding dress (her own), so there’s that.

  • I loved this post.

    It’s weird how in the Charlie Hebdo video, they don’t show you which cover they ended up choosing. I had to look it up. I think it’s the one of him covering his eyes.

    I wouldn’t worry about the age at which you finish your novel unless that motivates you. Plus it’s not really a fair comparison unless they were also working full time while they were writing it and regularly writing in a blog and whatever other things have been occupying a lot of your time in the past couple of years. ;)

  • Oh I like Lauren’s Vera Wang fun fact – did not know that. I bought Sir Stephen King’s (I just granted him knighthood) On Writing and can’t wait to see what he recommends. I have one year to publish my breakthrough book at the age he did (and holy sht I’m going to be turning 32 this winter). Also, did not know that you could buy Met catalogs (duh)

  • 1. Plus jamais ça ! Vive la liberté d’expression !
    2. Tu as encore le temps. Le talent n’ai pas d’âge !
    3. J’aime beaucoup la phrase de ton père !
    4. Je vu le film, certes il n’est pas un chef d’ouvre mais c’est une bon satire du “bon français” ! Je ne suis pas raciste mais…chacun chez eux ! Il ouvre comme même les mentalités et maintenant plus que jamais il est de plein actualité ! Vivons ensemble au delà de nos différences !
    5. Une si belle photo ! Jamal te connaît par cœur, il sait te faire plaisir ! Très beau cadeaux !
    Be Happy :) xx

  • thanks Lauren for mentioning Vera Wang, I was a bit depressed after the age statistics :) xoxo

  • The Charlie Hebdo video… These guys. So many tears.
    And I had no idea Jane Austen was 37 when she wrote Pride and Prejudice. I thought she was way younger than that. :)