2020 in Books

2020 in Books

Book Goal: 40
Books Read: 37 :(
Books Set in/about Paris/France: 5
Books in French: 3 (one more than last year, and I read by far the longest one to date, “La Jeune Fille et la Nuit” at 425 pages)
Books Borrowed from the Library: 2
Books from Book of the Month: 6
Nonfiction: 9
Books by Female Authors: 24 (65%!)
Favorite Book(s): “French Exit” by Patrick DeWitt was dark and hilarious, both novels by Sally Rooney were infuriatingly wonderful, and “The Rise and Fall of Great Powers” by Tom Rachman was another stunner from my favorite author.
Least Favorite(s): “Modern Lovers” by Emma Straub was mediocre and I need to stop buying into the hype around her books, and “The Woman in the Window” by AJ Finn/Dan Mallory was meh (I’ll never get over this New Yorker profile on him)
Longest Book: “Voyager” by Diana Gabaldon at 870 pages
Shortest Book: “We Should All Be Feminists” by Chimamanda Ngozi Adichie
Funniest: “French Exit” by Patrick DeWitt and “Diary of a Bookseller” by Shaun Bythell
Saddest: “The Death of Vivek Oji” by Akwaeke Emezi broke my heart open
Prettiest Cover: “Londoners” by Craig Taylor is an unconventional choice, but it’s meant to mimic the Underground map and I bought it in London so I have a soft spot for it
Most Overrated: “The Woman in the Window”
Most Enjoyable:  “The Starless Sea” by Erin Morgenstern (yay for Erins!) was so beautifully immersive, and “Tunnel Vision” by Keith Lowe, which I’ve read a handful of times since I was 16, will always be a fun read.

What are the best books you read this year?

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How I Got My Literary Agent

I have a literary agent! This is bonkers.

In February of 2018, I finished the novel I’d been writing, off and on, for five years. I was in Paris, because the novel is set in Paris, and if you’re ever going to really lean in to a cliché, why not choose the one about being an American writer in Paris? I came home and set about finding an agent to represent it and shepherd it to publication. Here’s an excerpt of a post from August of 2018, when I was only six months into the query process:

Friends, if I had known this part of the game was going to be as difficult and stressful as it has been, I would’ve hurried the fuck up with the writing and devoted more emotional energy to querying. People warned me! They warned me this would suck! They were not wrong! Writing a novel is only half of the battle.

I sent somewhere around 55 queries between March and December of 2018. In August, I received a full request from an agent who eventually asked me to revise and resubmit the manuscript, but only if I paid an editor for a developmental edit. (In hindsight, this ought to have set off alarm bells; querying authors shouldn’t have to pay out of pocket to secure an agent. They can if they so choose, but it shouldn’t be a requirement to landing representation.) I contacted four editors, two of whom the agent recommended personally (this should have been another red flag), and all of them came back with quotes for their services between $3,000 and 4,000. I’m sure they’re worth every penny they charge, but it was money I just didn’t have and I didn’t think my precious book child needed that much heavy lifting. That’s not to say I disagreed with/refused to be receptive to the feedback the agent gave me, or that I was too protective of my novel to change even a single comma. I’d been editing as I wrote, revising and condensing and polishing; I even had my dear friend Samantha, who had worked in publishing, proofread it. This wasn’t a first draft manuscript by any means.

I undertook the edit myself, which took me a month. I deleted roughly 11k words, changed the ending, and addressed a bunch of other plot and pacing points. I liked the book more. It still felt like the book I set out to write, just better; I didn’t sacrifice my vision for it in the pursuit of one agent.

I resubmitted it to the agent in December, and when they got back to me in January of 2019, the answer was still no. Disappointing, but not surprising. All of the things I’d read about finding the right agent (including many of the rejection emails I got from other agents) reassured me that it’s a subjective industry and it only takes one agent to fall in love with it and champion it to publishers.

Between January and June of 2019, I sent another 10 queries, sporadically at best and with none of the initial enthusiasm I had displayed early on. Every rejection, especially ones that came from full requests (and I received 11 full requests total over the life of my #amquerying journey), hurt. Querying isn’t for the faint of heart. It also takes longer than you expect, and you learn to be very, very patient. It’s basically the chorus from Chumbawamba’s 1997 hit “Tubthumping,” in that you get knocked down, but you get back up again and keep sending your novel out to other agents.

In June, an agent I queried in February requested the full manuscript. In November, I sent a gently nudging email. She responded saying she hadn’t had a chance to read it but promised she would. In December, she reached out to me to let me know she had started my novel and was enjoying it, and that she hoped to finish it over the holidays and get back to me after the new year. Surely that was a good sign, right? An agent not only showing interest but keeping me apprised of her process? I was like a wounded puppy by that point, though, and refused to get my hopes up.

I had, also, ceased querying entirely. I love my novel, but figured it wasn’t its time. I set it aside in the summer and decided to focus all of my creative efforts on writing another one, maybe one that wasn’t so niche, one that didn’t straddle two genres. An unraveled art heist that is neither a straight mystery (we know whodunnit from the first page) or straight literary fiction is a hard sell, I was told over and over again.

So I started writing another novel. And then I abandoned that novel for another one. I was convinced the best course of action would be to write a second novel more firmly planted in a salable genre, go through the querying process all over again, and hope to sell not only the second novel but the first novel in a two-book deal with a publisher. (The universe, it should now be apparent, had other plans.)

On the second Friday in January 2020, I received an email from that agent that said: “I finally had the chance to read VANISHED in full, and I’m thrilled to tell you that I loved it.” (!!!!!!!!)

I screamed and Tom Cruise’d myself onto my couch, which wasn’t medically advisable given that just that afternoon I’d been diagnosed with Benign Paroxysmal Positional Vertigo. To say it was a day of ups and downs isn’t entirely accurate; it was a day of listing to one side and then being shot into space with glee. I was dizzy in more ways than one.

We set up a time to talk the following Tuesday. This, of course, is “The Call” querying authors hope to land, the endgame step that leads to an offer of representation, but which I refused to allow myself to believe was actually happening. Maybe it was another revise and resubmit! Maybe I would get hit by a bus before Tuesday and die immediately and never actually get to have The Call! My brain can’t let me have nice things!

At the appointed time, I made myself a cup of tea, sat on my bed, and tried very hard not to pass out. She called, we spoke, she raved about my novel, said she wanted to represent me, the bed opened up beneath me and I fell into my grave. She loved it! She *got* it! She was surprised and satisfied by the main plot twist. She had a few minor suggestions on two or three plot points, all of which made sense to me and I agreed with. I asked her questions I’d googled in advance, like: What is your submission strategy? What happens if you don’t like my next book? And then, because we were getting along so well and the conversation had never felt like a formal interview, I asked her what books she was reading for fun, and it turns out we’d both recently read and loved “Fleishman is in Trouble.” If writing a whole novel is only half the battle, then finding an agent who believes in it enough to sell it to publishers is only the next quarter; the remaining quarter is finding an agent you get along well enough with to maintain a (hopefully!) long and fruitful working relationship.

Everything I’d read online told me to play it cool, that the agent expects you to take a week or two to think about their offer before accepting. If you’ve been reading my blog for a while, you know the amount of chill I have when I am excited about something is zero. Precisely none. I have no chill. So when she ended with, “Do you want to take some time to think about it or are you ready to move forward?” I said I was ready to move forward. To my credit, I didn’t holler! It felt right to accept; the feedback she gave me about my book was all sound and enthusiastic and was made with deference to my vision as its author.

And that is how, a little under two years from the day I finished writing the novel, I landed my literary agent. I am now represented by Stacy Testa of Writers House. I know how hard I worked for this and how many times I wanted to give up (both at writing and at querying), but I also know how lucky I am.

And speaking of lucky, the next day I left for Paris. I’d had the trip booked for a few months, and planned to work on my new novel while I was there. I got to work on my first novel, too, addressing the edits we’d discussed. A week after I got back, the agency agreement was signed and countersigned, and it was officially official. I did it. And I am so, so proud.

Thank you all for sticking with me all these years, from the earliest days of this novel. I cannot wait to bring this book into the world and hold it in my hands, and I can’t wait for you to read it.

Three Questions

I read an article in the New York Times last week about breaking an addiction to smartphones. Aside from the usual head-nodding and recognition that accompanies pieces about of weaning ourselves off of our digital dependence, I was particularly struck by this passage:

[She] encouraged me to set up mental speed bumps so that I would be forced to think for a second before engaging with my phone. I put a rubber band around the device, for example, and changed my lock screen to one that showed three questions to ask myself every time I unlocked my phone: “What for? Why now? What else?”

Those three simple questions—six words—stopped me in my tracks. Few times outside of being stoned have I come across a turn of phrase or single passage that hits me the way this one did, as if everything tunneled out and all that existed were these words, which seemed to explain everything. As if just by reading them I’d taken them inside of me, swallowed them whole and somehow understood something deeper and more powerful than the individual syllables.

What for? Why now? What else?

Yes, in this context they were a gentle chastising against checking your feed for the thousandth time, but I immediately thought about the writing process. The work the characters do, the way they drive the plot, the pacing of it, the motivation, the arcs, the resolution. All of it. “Why would the character do this? [What for?] Why would it happen now? [Why now?] What happens after? [What else?]” These three questions are applicable to so much of the act of writing; really, they’re applicable to almost anything. Or maybe since all I’ve been doing recently is writing I’m in a frame of mind to see inspiration and the profound in things that have nothing to do with writing. Regardless, I love those three questions so much I made the graphic above and set it as my phone lock screen, hoping it would not only deter me from checking my notifications so frequently but also remind me to ask myself deeper, thoughtful questions when I sit down to write.

What for? Why now? What else?

2019 in Books

Book Goal: 35
Books Read: 44 (matched 2018’s record)
Books Set in/about Paris/France: 11
*NEW CATEGORY* Books in French: 2 (!! I now read novels in French, I am le smug)
Books Borrowed from the Library: 12
Books from Book of the Month: 8
Nonfiction: 10
*NEW CATEGORY* Books by Female Authors: 26 (60%!)
Favorite Book(s): “The Heart’s Invisible Furies” by John Boyne (his “Ladder to the Sky” was one of my favorites last year). “Gravity is the Thing” by Jaclyn Moriarty was a delightful surprise, and “Three Women” by Lisa Taddeo was incredibly well written and engrossing. “Fleishman is in Trouble” by Taffy Brodesser-Akner is exactly as good as everyone raved it was.
Least Favorite(s): “Very Nice” by Marcy Dermansky, read like 8th grade fiction, and “Early Work” by Andrew Martin reinforced the obvious: that mediocre white men can get anything published.
Longest Book: “Dragonfly in Amber” by Diana Gabaldon at 743 pages
Shortest Book: “Closer” by Patrick Marber (a stage play, which accounts for its length)
Funniest: “Dreyer’s English” by Benjamin Dreyer. A book about grammar had me cackling out loud.
Saddest: “La Vie Devant Soi” by Romain Gary was heartbreaking and beautiful. Oh, and I sobbed through the last 40 pages of “Becoming” by Michelle Obama, realizing how much of their legacy has been undone by this god awful administration, does that count?
Prettiest Cover: “The Ensemble” by Aja Gabel, though the flowers had absolutely nothing to do with the story.
Most Overrated: “Very Nice” by Marcy Dermansky
Most Enjoyable: “Fleishman is in Trouble” was laugh-out-loud in parts and whip smart, with so many pitch perfect sentences and ideas. I loved reading it.

What are the best books you read this year?

Are you on Goodreads? Let’s be friends!

A New Novel. Finally.

On Tuesday, December 3rd, after I came home from French class (the first of the new winter term), I watched tv and ate a bowl of cereal on the sofa before getting ready for bed. It was 9:45 when I’d finished washing my face, a process that takes exactly as long and is exactly as involved as you’d expect for someone about to turn 33. I passed my office on the way to my bedroom, and made it two steps beyond the doorway—my desk framed by the open door—when the strangest thing happened to me. In what I can only attribute to some sort of divine, creative intervention: my forearms began to feel weird. (Descriptive, for a writer, I know.) As if there was a pent up charge of energy collecting in my hands. I turned back to my office and reached for my notebook. A softcover, navy blue Moleskine notebook I’d purchased almost a year ago exactly at Barnes & Noble with the intention of filling with my second novel. A notebook that, save for three (three!) pages, had sat entirely unmarked and untouched for eleven months. My hands felt shaky, needy, about to fly off my body.

I had to write. I physically had to or I was going to burst. I didn’t even have a choice in the matter. I barely recognized the sensation. I took the notebook to bed and proceeded to write until 12:30 in the morning, page after page of a story that came to me out of nowhere and fully formed. Character names, backstories, a plot, a title. It was all there, dropped into my head and spilling out of me onto the page with very little effort on my part, as if I was merely a conduit for it. If this is what people mean when they say they were “struck with inspiration,” I understand now precisely how physical a blow it is.

In her TedTalk, writer Elizabeth Gilbert recounts a poet describing her experience with inspiration as a “thunderous train of air” she hears in the distance and which eventually barrels towards her, the ground shaking beneath her feet. The poet would run to her desk to write it down, being chased by this poem, so that when it “thundered through her, she could collect it.” Gilbert says she’s also had times where work has come to her through a source that she can’t identify. It is, after all, “the utter maddening capriciousness of the creative process…which does not always behave rationally and can sometimes feel downright paranormal.”

That’s as close to describing what I experienced that Tuesday night/Wednesday morning as I can get. To say this story fell out of the sky and dropped into my brain would not be inaccurate. Yes, all of my lived experiences probably contributed to it in some way. I’ll give myself some credit for being able to write it, but not so much about the source of it.

When I bought that notebook, I intended to write a very different novel. It was set in Rome in the late 90s, about a young journalist who goes missing and whose sister comes to look for him. I had a rough outline. I had ideas. I struggled with the main character’s name. I struggled with an ending. I struggled with the fact that it seemed too like my last novel in terms of the relationships between the characters. Mostly, I struggled. Sitting down to work on it became disheartening, frustrating, so at some point I stopped sitting down to work on it altogether. I revisited it occasionally, but it was like squeezing water from a stone. The story is there, and I think it could be a good story one day, but it clearly wasn’t its time.

I am now 36 pages in to this new novel, in the span of less than two weeks. It is set in London and it is about an affair. I have written every single day since that first night. I write on my lunch break, I write at night, I write throughout the day when things come to me. I carry this notebook with me everywhere, and for the first time in a long time I feel like a writer again. It’s crazy, the extent to which not writing has the opposite effect. I’m going to London for a weekend in February, because it’s been over a decade since I visited the Smoke, and who doesn’t love a quick overseas jaunt in the name of book research?

Writing one novel has provided me with invaluable insights into what NOT to do this time. I can’t wait to take you all along for the ride.

How (Not) to Blog, or, Where did half the year go?

So here’s the thing about blogging, which may seem obvious to the point of not needing to be said, but: if you don’t actually sit down to blog, you, uh, don’t have a blog. The same is true for just about anything, and you’d think I would’ve learned my lesson having finished a novel that didn’t actually write itself during all the breaks I took from writing it, but it’s July and here you are, reading my first blog post of the year.


My last post was at the end of December, and I had every intention of blogging in 2019, but then 2019 actually happened. Here’s the CliffsNotes version: on the last day of January I was fired twice from my job at the auction house, first via an all-staff email and then again the next morning in person to really drive the point home. Three days after that, I received a rejection on my revised manuscript from an agent I’d been working with since the previous August. Despite taking 95% of her feedback to my initial submission to heart and spending the better part of October and November editing the absolute bejesus out of it–I even changed the ending!–the agent admitted they hadn’t even read the full thing but still didn’t want to represent it. A week later, my grandmother was moved into a nursing home. At the beginning of March I contracted a sinus infection. Beetles infested the entire third floor of my house. I spent all of February and March unemployed, bumming around and applying for jobs, with long stretches of pretty serious depression. It was not a good period of time for me, creatively, emotionally, physically, or financially.

Lest you think it was all terrible, there was a weeklong trip to Paris in February, which had been pre-booked and which was absolutely glorious and a wonderful way to run away from my problems. (I have photos, I swear I’ll share them soon.)

Thankfully, things turned around in early April, when I landed a sweet new job at a nonprofit a stone’s throw from my house handling communications and social media. It’s part-time, so I’ve been able to rededicate myself to this novel of mine. It was hard to see precisely how dysfunctional my last job was while I was in it–don’t get me wrong, I was pretty miserable for the last six months I was there and had been planning on leaving in February, after I got back from Paris–but nothing throws it into stark contrast like a new, normal job. At a minimum, there aren’t mice crawling all over my desk in broad daylight.

Anyway, on the second day of the year, I tweeted the following:

Not to shit on my ability to follow through on things, but we’re officially six months into the year, and I’ve accomplished half of one of these five things (#5, if you were curious). I have a three-page outline of my next novel, which is a far cry from even a partial draft. I have six months left to complete these tasks, even though I was clear upfront that I would not be holding myself accountable for completing any of them. My full manuscript is currently out with three agents (!!), so I’m hoping to be able to check off #1 sometime soon. Completing #2 seems lofty, given what I know about the production timelines in the publishing industry. Numbers 3, 4, and 5 are really up to me. Can I do it? Only time will tell.

2018 in Books

Book Goal: 35
Books Read: 44 (Smashed last year’s record by 4!)
Books Set in/About Paris: 13 (including one I actually purchased there)
Books Borrowed from the Library: 16
Books from Book of the Month: 9
Nonfiction: 6 (down from a whopping 14 last year)
Favorite Book(s): “The Italian Teacher” by Tom Rachman (I think about this book constantly and recommend it to everyone. Rachman’s “Imperfectionists” was one of my favorites last year.), “A Ladder to the Sky” by John Boyne (I’ve never read a book that long that quickly. It was delicious.)
Least Favorite(s): I don’t think “The Truth About Thea” by Amy Impellizzeri even qualifies as a book, as terrible as it was. I’ve never read something as poorly edited or with such flagrant disregard for punctuation or plot, and may I never again.
Longest Book: “A Little Life” by Hanya Yanagihara at 672 pages
Shortest Book: “Of Mice and Men” by John Steinbeck at 107 pages (the book is physically half the size of a regular one)
Funniest: “L’Appart” by David Lebovitz (I have a signed copy!), because you have to laugh to keep from crying during his torturous apartment renovation
Saddest: I read a lot of books I would qualify as objectively sad, including “The Girl Who Smiled Beads” by Clemence Wamariya, “Small Country” by Gaël Faye, both about African Great Lakes genocide, and “A Little Life” by Hanya Yanagihara
Prettiest Cover: “The Italian Teacher” by about a million miles (everything designer Jaya Miceli touches turns to gold)
Most Overrated: “Feel Free” by Zadie Smith (I’m starting to think Zadie and I aren’t meant to be friends) and “Asymmetry” by Lisa Halliday (sleeping with Philip Roth and then writing a fictionalized account of it will absolutely get you a book deal, FYI)
Most Enjoyable: “A Ladder to the Sky” was one of those books I simply couldn’t put down.

Last year, I said, “I don’t think I’m going to hit 40 books next year” and this year I set a new personal record. Just goes to show you, keep your expectations low and you’re never disappointed! Kidding. This was a big year. In addition to these 44 books, I also finished my own, and read it at least half a dozen times, in digital and paper format. I already have about 10 books in a basket under my night table ready to go. Let’s do it, 2019.

The Algarve, Portugal, pt. 3

Praia Quinta do Lago






Lunch, St. Lucia, Tavira

Sunset, Evora

Roman Ruins, Evora

On this trip, I did something I’d never done before: I went to a beach and I enjoyed it. Even if I’d accomplished nothing else in 2018 (and really, I need to tell you all about my latest novel update) the fact that I went to a beach (in a bathing suit and everything!) and my legs and arms did not retract into my body like a turtle has to be some sort of personal growth worthy of bragging about.

Tavira was the second-largest town we visited, after Faro, but was still endlessly quaint and delightful despite its relative notoriety amongst tourists. It was a little more ramshackle than the upscale town of Loulé, and less commercial than Faro, but if when we go back, Tavira will be high on the list of places to stay for longer than an afternoon. As it was, an afternoon was just enough time to fall in love with its windy streets and chippy shutters, and eat some of the best octopus of my life in nearby St. Lucia, the self-proclaimed octopus capital of the world.

After a week in Almancil, we drove north to Evora, a town once inhabited by the Romans and an entirely different experience after the sun-drenched coast. Oddly, though, it was somehow hotter in Evora than it had been in the Algarve. We stayed in a converted convent for the night and drove into town for yet more octopus and sightseeing. I’ll never get over seeing 2,000+ year old Roman ruins standing in the middle of a mostly-modernized city. After 24 hours, it was time to head to Lisbon.

The Algarve, Portugal, pt. 2










Suco de Laranja, Alte




We may have overdone it one day: we hit Loulé, Alte, Silar, Querença, in one swoop. The latter is the size of a postage stamp, with a church, two restaurants, and a museum about the history of water and irrigation (?! Portugal, I love you). Loulé was perhaps more upscale than the other towns, though located right in the center of the finely manicured center is an ancient castle (admission was €1,60; I couldn’t get over the relative affordability of almost everything in Portugal in comparison to other Western European countries, but the museums and castles were particularly inexpensive). We drove through Silar without really getting out of the car, but the village of Alte was absolutely adorable. Again, it maybe had twenty year-round residents, but it featured a charming canal, a few cafes, and the birthplace of the poet Cândido Guerreiro. It also featured several very territorial geese who did not like it when you tried to get near the very scenic canal. I always forget Jamal dislikes water fowl (also peacocks) but I was reminded when, after cautiously approaching the water’s edge, I turned and saw him walking back to the car with a bellowed “NOPE.”

As happens on vacations, you arrive in a picturesque and thoroughly charming locale and think, “Oh, yes, I could live here.” There’s lots of peering in real estate windows, mentally calculating the cost of an apartment or house, ignoring the logistics of picking up & packing up your entire life and depositing it halfway across the world because, really, did you not see the precious storefronts? The locals who could have walked out of central casting and wave to you from their doorways and ask, “How are you enjoying your time here?” so earnestly? The lack of gun violence and presence of socialized medicine? All of this played out within the first few minutes of arriving in Monchique, settled high up in the hills of the Algarve. What a delight. It’s such a different landscape from the rest of the beach towns and lower-altitude spots in the Algarve. The town is famous for Medronho, a liqueur from a fruit tree of the same name, native to the area and not produced commercially (or anywhere else, for that matter); a kindly Welsh expat shop owner let us sample some. We left town and drove to the scenic overlook at the highest point in the Algarve, before returning to the resort and falling asleep by the pool (I told you there was a lot of that).